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Loudest Whisper - Children Of Lir - 1973 - Prog Folk - Ireland

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Songs / Tracks Listing

1. Silent O' Moyle
2. The Overture
3. Lir's Lament
4. Good Day My Friend
5. Wedding Song
6. Children's Song
7. Mannanan 1
8. Mannanan 2
9. Children Of The Dawn
10. Dawning Of The Day
11. Septimus
12. Farewell Song
13. Cold Winds Blow
14. Sad Children
15. Rock & Roll Child
16. The Wheel Of Life
17. Silent O' Moyle

Line-up / Musicians

- Brian O'Reilly / guitars, piano, keyboards, vocals
- Geraldine Dorgan / guitar, vocals
- Paud O'Reilly / drums, harmonies
- Mike Russell / bass

1973 Children Of Lir
1975 Maiden of Sorrow
1980 Loudest Whisper 2
1982 Hard Times
1983-1990 - Non-Album Singles
2008 - Demos and Unreleased Recordings 1973-1996
2008 Our world
2014 Blue Is The Colour Of Time


Larkin Grimm - Harpoon - 2005 - Prog Folk - United States

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Songs / Tracks Listing

1. Entrance (2:27)
2. Going Out (2:19)
3. Patch It Up (4:58)
4. Pigeon Food (1:54)
5. I Am Eating Your Deathly Dream (4:30)
6. One Hundred Men (2:45)
7. Future Friend (9:05)
8. Go Gently (1:00)
9. Harpoon Baptism (3:50)
10. I Killed Someone (1:20)
11. Don't Come Down, Darkness (2:57)
12. Touch Me, Shaping Hands (4:27)
13. White Water (3:20)

Line-up / Musicians

- Larkin Grimm

2002 North Country
2003 It Fell from a Very High Place on the Very Same Day I Thought of Jumping Myself
2005 Harpoon
2006 The Last Tree
2008 Parplar
2010 Live from Another Planet
2011 Extra Life
2012 Soul Retrieval
2015 Moons of June
2017 Chasing an Illusion

Los Jaivas - El volantín - 1971 - Prog Folk - Chile

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Songs / Tracks Listing

1. Cacho (5:44)
2. La Vaquita (7:11)
3. Por Veinticinco Empaná (3:00)
4. Tamborcito De Milagro (4:00)
5. Que O La Tumba Serás (3:22)
6. Foto De Primera Comunión (6:34)
7. Ultimo Día (8:26)
8. Bolerito (0:25)

Line-up / Musicians

- Gato Alquinta / lead & backing vocals, electric & acoustic guitars, recorder, ocarina, congas
- Mario Mutis / bass, vocals, acoustic guitar, recorder, tarka, congas, "tamborcito", tambourine
- Eduardo Parra / organ, bongos, cultrun, xylophone, backing vocals
- Claudio Parra / pianos, güiro, rasca de metal, tambourine, maracas, "tamborcito", backing vocals
- Gabriel Parra / drums, congas, cultrun, caja, maracas, "horn", trutruca, piano (1-intro), vocals (2), backing vocals

With:

- Geraldo Vandré / vocals (8)
- "Monks of a faraway Old World's monastery" / bells (6)

1971 - El volantín
1972 - La Ventana
1972 - Todos Juntos
1973 - Palomita Blanca
1974 - Los Sueños de América
1975 - Indio
1977 - Cancion Del Sur
1981 - Alturas de Machu Picchu
1981- Mambo de Machaguay
1982 - Aconcagua
1984 - Obras De Violeta Parra
1989 - Si tú no estás
1995 - Hijos de la Tierra
1997 - Trilogía El Reencuentro
1999 - Mamalluca
2000 - En El Bar Restauran lo que
2001 - Arrebol
2003 - La Vorágine 1 - pan negro
2003 - La Voragine 2 - La Reforma
2003 - La Voragine 3 - El Totem
2003 - La Vorágine 4 - Mucha Inmensidad
2003 - La Vorágine 5 ¿Qué Hacer


S. Ramses ‎– Secret (1978)

Velvet Night - Velvet Night (1969)

John Bunyan's Progressive Pilgrims - Apricot Brandy and Albatross (1969)

The Eyes ‎– New Gods: Aardvark Thru Zymurgy (1977)

Todd Clark Group - We're Not Safe! (1979)


King ‎– King (1980)

Atila ‎– The Beginning Of The End (El Principio Del Fin) (1975, LP, Spain)

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A real top of the Spanish / Catalan prog scene,Atila were formed in 1973 as a trio by guitarist Eduardo Alvarez Niebla, keyboardist Paco Ortega and drummer Juan Panet,hailing from Girona. They were mostly famous for the two full-length albums they released, but before them it was the live recording 'The beginning of the end (El principie del fin)', which functioned as a demo presentation of the band.

This was just one track of 30 minutes length, but do not expect a structured superb epic to be heard. 'The beginning of the end' is more of a live jamming of the band, which additionally sounds a lot more than an early-70's than a mid-70's archive. This lengthy composition can be described as organ-driven heavy psychedelic/prog rock with a few classical adapted themes connected with plenty of guitar/organ solos and grooves, cut around its middle by a 3 min. drum solo. Surprisingly the track flaws easier than expected, as the band changes from smooth psychedelic to heavy organ-driven forms in constant moments.

The album ends up to be a cool archival release of this short-lived Spanish legend with some high but also a lot of low points, yet nowhere near their full-length releases, both in terms of music and production. Recommended mainly to fans of organ-based proto prog. (apps79)

Cyklus ‎– Planet Of Two Suns (1979, LP, Germany)

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Cyklus is a very unknown and underrated ?70 jazz fusion band from Germany who has only one album in their pocket. The album was relesed at Erlkonig label in july 1979 and named Planet of two suns. The album they release is uniquie in his own way , because while more than half is towards ligher sound of jazz fusion not far from Passport or even in places Return to Forever, they have more rougher moments who can pleases every jazz rock listner or progressive fan in same time with complex and subtile arrangements. They never hit big time with their music maybe because they pay too much the year they began their career ? late ?70?s, when prog music was in decline . Well this band like many others from that period is like a kick in the face for those who said that prog/jazz music is dead and not intristing anymore. , 3 members from Cyklus were before this in another german jazz fusion band Aera: matz Steinke from bass, Achim Gieseler - keys and Wofgang Teske drums. (progarchives)

PFM - Live In Concert (1991, CD, Italy)

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Live in Concert
CD - Harlequin/ HCD 101 (USA, 1991)
BBC live concert, 1974/75 
Soundboard

The Three Natural Life albums, by request, plus Androids by Rockwell

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Three wonderful long lost and still lost jazzier fusion albums from the late seventies USA created by a sextet that existed for a brief time only, the aforementioned 1983 Mike Elliott Diffusion album forms a fourth to be listened to as an epilogue to the trilogy.  Members included guitarist Elliott, keyboardist Bobby Peterson, sax player Bob Rockwell, and percussionist Steve Kimmel (notable too is the album called Androids which Rockwell made with most of the other members in 1974).  I always loved the varied ideas incorporated in the Elysian Fields:





From pnf days, ST:

Again thanks to the mighty osurec for introducing me to this band that to me is reminiscent of the Muffins in their more approachable, less grumpy moments.  It's headed by Mike Elliott who was quite prolific in the seventies, most of the composition is credited to him.  Read the notes on the back for info on the music.  There will be more to come, promise, or rather, threaten?


Unnamed Land:

On this record, which I think is quite superior to the previously posted ST, the basic quintet (recall this comprises Mike on guitar, Robert Rockwell III on saxes, Bill Berg on drums (and cover art), Bobby Peterson on piano, and W. Peterson Jr. on bass) is augmented by a half dozen more musicians playing vibes, flutes, congas, clarinet, and Rick Peterson on synths (on the last track).  Each song is composed by a different musician pretty much.  For me the standout is the collaborative track "Trio" which is arranged by Elliott, but composed by the two Peterson  gentlemen.   This record has a kind of smooth overall softness in composition and arrangement that to me is so attractive and typical of the late seventies style that, as I mentioned, is utterly concerned with crafting beautiful music with no cynicism, irony, technical artifice, or impediments.  Both "Unnamed Land" and the next, "All Music" are really masterpieces in this genre of american chamber fusion, like the famous Coalition Mindsweepers from osurec.  Btw I'm confused about the placement of the ST Natural Life, although the date on the sleeve is 1977, it seems originally it was the first record to appear, since it predates Mike Elliott's Atrio from 1974 and seems to be a little rougher than these next 2 records.  Presumably it was private pressed first, then rereleased on ASI?

I want to draw your attention to the track Trio, in the middle part of which there is an absolutely stunning fender rhodes-flute interaction, this part is called "Migration" and is credited to bassist Will Peterson.  I don't know how you can more perfectly 'describe' acoustically this image of birds in a wetland, taking flight, dipping, soaring, splashing, in a soft and beautiful landscape.  And it leads so wonderfully into the springtime with the soprano sax from Robert Rockwell.  (As I said before, the soprano sax and the clarinet are classic instruments for these seasons.)  Pay attention as you get suddenly an ascending riff (on the sax) exactly like a bird flying away towards the end.  Just stunning.




And what about the cover drawing from Berg? Well, seems to be a group of native americans or perhaps africans in shallow waters at a beach with the vision of ancestors in the sky-- esthetically great, but the concept?  And the faces in the sky--  yikes!

All Music:

We'll continue on with their discography with this record in which Bill Berg is no longer credited to percussion but is still doing the covers and artwork, which in this case are just stunning, with the mauve watercolours on the back particularly beautiful. The music is the same chamber-fusion with a light touch of flutes, soprano saxes for colour, etc. Let me introduce this with some fine a-propos words from our very own apps: 

" Very melodic US jazz/fusion with some smooth sax work,delicate electric piano and ethereal bass lines not unlike the softer side of RETURN TO FOREVER." 

Well said. Again, it boggles the mind that these records are so rare, not a cd reissue in sight, when the quality both of composition and of musicianship, are so utterly top-notch. And that, of course, is why I indulge in this bizarre and time-consuming hobby, it's a kind of community service to rip these old records for posterity, in the hopes posterity will respect the astounding work that went into them and give them a higher spot in the musical-quality scale of things than oh I don't know, the latest Britney Spears cd, perhaps. And for those like me who do believe we are heading towards a post-industrial world of blackouts and brownouts, it is quite imaginable that the manually-cranked record player may yet make a comeback, a hundred years from now, when electricity is sporadic, and people want to listen to this virtuosity from the past -- on the other hand, we are more likely to see manually-operated computers and cd players anyways if that comes to pass, so forget that fantasy. 


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I'll throw in the Androids LP too, since I believe few people out there have ever heard the complete work, other than the sampled title track.  It's not quite as tight and interesting as the NL works, far more jazzy and has too many improvised sections for my taste.

Serie "Historic (not) prog bands live in Italy" - Capitolo 52 - Deep Purple 1st italian tour 1971

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Ho deciso di dedicare questo post ai Deep Purple che, insieme ai Led Zeppelin e agli Uriah Heep, rappresentano i miei grandi amori nel campo dell'hard rock degli anni '70. Li ho conosciuti all'epoca della gloriosa Mark I, con Rod Evans e Nick Simper, grazie all'ascolto di cassette che giravano fino a logorarsi nel mangianastri. "In Rock" fu la svolta definitiva, uno tra i più grandi album di hard rock mai realizzati. E da lì in poi nacque in me anche la mania del collezionismo. Oltre all'intera discografia ufficiale, sono riposti nei miei scaffali decine e decine di bootleg. Alla soglia del loro "farewell tour",, dopo la scomparsa di Jon Lord e la pubblicazione della loro ultima fatica, quello splendido "Infinite" del 2017 che, nella gold edition, racchiude anche il "Live at Hellfest", sono andato a rispolverare un paio di bootleg, testimonianza del loro primo tour in Italia, 

Deep Purple - Roma, Palasport, 25 maggio 1971

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TRACKLIST CD 1:

01. Speed King
02. Strange Kind Of Woman
03. Child in time

TRACKLIST CD 2:

01. Mandrake Root
02. Black Night
03. Lucille

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LINE UP

Ian Gillan - vocals
Ritchie Blackmore - guitar
Jon Lord - keyboards
Roger Glover - bass
Ian Paice - drums

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La discesa dei Deep Purple in Italia fu un evento musicale storico, supportato dai giornali musicali (e non solo) dell'epoca. La grande Mark II, con Gillan e Glover al posto di Evans e Simper, con un "Fireball" fresco di stampa (ma non proposto dal vivo), giunse nel nostro patrio suolo per sole due date: Roma e Bologna. Mentre nella capitale tennero solo il concerto serale (a dispetto di quanto riportato sui manifesti), a Bologna gli show furono due, pomeridiano e serale, come da tradizione negli anni '70. I Deep Putple toccarono la nostra penisola in occasione del lunghissimo "In Rock World Tour", iniziato il 4 luglio 1970 a Bedford e conclusosi, dopo numerose tappe negli Stati Uniti, Australia e canada, oltre che in Europa, il 24 ottobre 1971 a Chicago. I brani proposti nel corso del tour erano in parte attinti da "In Rock" (Speed King, Child In Time, mentre Into The Fire e Living Wreck venivano presentate solo occasionalmente), con l'aggiunta dei due singoli di successo, Black Night e Strange Kind Of Woman. Il bis era sovente Lucille (la cover del successo di Little Richard), mentre dal repertorio della Mark I ripescavano Mandarke Root, Wring That Neck e, saltuariamente, Hush. Quasi sempre inserivano nella scaletta Paint It Black che altro non era se non un lungo assolo di batteria ad opera dell'infaticabile Ian Paice.

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Esistono alcuni bootleg in circolazione relativi al concerto di Roma, con qualità di registrazione differente e diversa disposizione dei brani. Nelle due diverse registrazioni del concerto in mio possesso manca Into The Fire, nonostante sia indicata nella back cover del bootleg. Quasi sicuramente venne eseguita, ma non ne sono certo, visto che questo brano, non essendo molto amato da Ritchie Blackmore, non era una costante nei concerti del 1971.

La registrazione qui proposta è dignitosa. Lo show è torrenziale permeato da una energia incredibile. 

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Il concerto romano dei Deep Purple venne aperto dalla Premiata Forneria Marconi, Sul sito ufficiale del gruppo, www.pfmpfm.it,, Franz Di Cioccio ricorda, in modo alquanto divertente,  la serata:

"C'erano diecimila persone in spasmodica attesa del grande gruppo di hard rock e noi eravamo lì ad aspettare che qualcuno ci presentasse. Ma il promoter della serata, Francesco Sanavio, di fronte a tanta calca, non sapeva che pesci prendere e, preoccupatissimo, ricadeva nella sua parlata originaria. "Io non esco ad annunciarve, ciò" diceva. "Prima dei Purple!... Con quel nome ridicolo! Cosa digo ciò, ecco la Premiata Forneria Marconi? Prima dei Deep Purple... Me masano, ciò... io non esco. Andate fori così, i’é afari vostri." Non ci fu nulla da fare e così un tecnico di buon cuore si addossò la responsabilità di annunciarci in modo assolutamente casuale, mentre stava provando i livelli dei microfoni. Il nostro nome, ancora sconosciuto e assolutamente assurdo per l’epoca, risuonò come una sfida per il pubblico che si era riunito ad attendere Ian Gillan, Ritchie Blackmore e compagni già dal pomeriggio. Ma noi, convinti di avere tra le mani una grande occasione - era il primo concerto italiano di un mito consolidato del rock mondiale - sfoderammo tutta la grinta di cui eravamo capaci e salimmo come se niente fosse sul palco.

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Eravamo al buio, perché nessuno si era preso la briga di accendere le luci. Ci sbrigammo e in pochi attimi le note di "21th Century Schizoid Man" dei King Crimson esplosero dagli amplificatori avvolgendo la platea in un vortice di suoni che lasciò tutti senza fiato. Dopo qualche minuto di perplessità tutto filò liscio, tanto che parecchia gente incominciò a chiedersi quale fosse mai quella nuova e sconosciuta band inglese che stava aprendo con tanta maestria la serata. Queste voci giunsero naturalmente a Sanavio che, finalmente rincuorato, alla fine della nostra performance salì sul palco e sfoderò un tono soddisfatto da guascone. "Questi sono la Premiata Forneria Marconi" disse al microfono "sentirete ancora parlare di loro."Fu buon profeta e quando diventammo famosi non dimenticammo quel memorabile debutto al buio". 

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Deep Purple - Bologna, Palasport, 27 maggio 1971

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TRACKLIST:

01. Introduction & Speed King
02. Strange Kind Of Woman
03. Into The Fire
04. Child In Time
05. Paint It Black
06. Mandrake Root

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Due giorno dopo la data romana, i Deep Purple salirono sul palco del Palazzo dello Sport di Bologna per la loro seconda e ultima data italiana del "In Rock Wordl Tour". La scaletta si differenzia rispetto a quella del precedente show. vengono presentate Into The Fire e Paint It Black mentre restano fuori Black Night e Lucille. Il concerto è complessivamente più breve (raccolto in un unico file) e la registrazione è qualitativamente decisamente scarsa. Lo voglio premettere a scanso di polemiche: è per gli appassionati collezionisti che, in ogni caso, hanno tra le mani un documento straordinario sotto il profilo storico.
Buon ascolto

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Link Roma 25.05.1971
Link Bologna 27.05.1971

Post by George

Protomythos - Heavy Crowns 2019

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Protomythos - Heavy Crowns 2019

Исполнитель: Protomythos
Альбом: Heavy Crowns
Страна: Israel/UK
Жанр: Progressive Rock
Год: 2019
Формат: MP3 CBR 320 kbps
Размер: 121 MB
Файлообменник: my-files,zippy

Manerg's Monumental Mix Too

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Following on from last year, instead of compiling a 3rd volume of my favourites from 2018, I've asked my good pal Manerg to compile a few of his particular favourites of the past year. Enjoy!


  1. Vinyl Williams - Aphelion (5:52)
  2. Joe McKee - I Want to Be Your Wife (2:57)
  3. Queen of the Meadow - Withdrawn (3:55)
  4. Peel Dream Magazine - Qi Velocity (2:26)
  5. Le SuperHomard - Paper Girl (2:39)
  6. Familia de Lobos - Todo lo Que Brilla (7:05)
  7. The National Jazz Trio of Scotland - Sog (2:51)
  8. Samara Lubelski - Black Dots (3:27)
  9. The Lovely Eggs - Dickhead (2:21)
10. Meg Baird & Mary Lattimore - Damaged Sunset (8:04)
11. Perio - Exotic Thrill (2:46)
12. Unknown Mortal Orchestra - Hunnybee (4:25)
13. Gloria - The Rain is Out (3:57)
14. Haley Heynderickx - The Bug Collector (3:44)
15. Karaocake - The Offcoast (4:17)
16. Phenomena 256 - Take Me Away (4:50)
17. Brigid Mae Power - Don't Shut Me Up (Politely) (5:16)
18. Orchestre tout puissant Marcel Duchamp - Lost and Found (3:22)
19. JEFF the Brotherhood - Focus on the Magick (5:35)




Jethro Tull - This Was - 1968 - Prog Folk - United Kingdom (Anos 70)

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Songs / Tracks Listing

Cd1
1. My Sunday Feeling (3:42)
2. Some Day The Sun Won't Shine For You (2:49)
3. Beggar's Farm (4:20)
4. Move On Alone (1:59)
5. Serenade To A Cuckoo (6:11)
6. Dharma For One (4:16)
7. It's Breaking Me Up (5:05)
8. Cat's Squirrel (5:44)
9. A Song For Jeffrey (3:23)
10. Round (0:49)
11. Love Story (New Stereo Mix) (3:05)
12. Christmas Song (New Stereo Mix) (3:13)
- Original Mono recordings Remastered:
13. Sunshine Day (Non-LP Single) (2:26)
14. One For John Gee (B-side Of 'Song For Jeffrey' Single) (2:05)
15. Love Story (A-side Of Single WIP 6048 Released In November 1968 On Island) (3:05)
16. Christmas Song (B-side Of 'Love Story' Single) (3:05)

Cd2
1. My Sunday Feeling (3:42)
2. Some Day The Sun Won't Shine For You (2:49)
3. Beggar's Farm (4:20)
4. Move On Alone (1:59)
5. Serenade To A Cuckoo (6:11)
6. Dharma For One (4:16)
7. It's Breaking Me Up (5:05)
8. Cat's Squirrel (5:44)
9. A Song For Jeffrey (3:23)
10. Round (0:49)
11.So Much Trouble - BBC Sessions
12.My Sunday Feeling - BBC Sessions
13.Serenade To A Cuckoo - BBC Sessions
14.Cat's Squirrel - BBC Sessions
15.A Song For Jeffrey - BBC Sessions
16.Love Story - BBC Sessions
17.Stormy Monday - BBC Sessions
18.Beggar's Farm - BBC Sessions
19.Dharma For One - BBC Sessions

Line-up / Musicians

- Ian Anderson / vocals, flute, harmonica, "claghorn" (6), piano (10)
- Mick Abrahams / guitar, 9-string guitar (4), lead (4) & backing vocals
- Glenn Cornick / bass
- Clive Bunker / drums, melodica, charm bracelet

With:
- David Palmer / brass (4) and string quartet (2001-tr. 13) arranger & conductor


1968 This Was cd1
1968 This Was cd2
1969 Stand Up
1969 Stockholm late sho
1969 Sweet Dreams
1970 Benefit
1970 Nothing Is Easy (Live at the Isle of Wight MONO)
1971 Aqualung (25th Anniversary Special Edition 1996)
1972 Living In The Past
1972 Thick As A Brick
1973 A Passion Play
1973 1973-07-23 Oakland Coliseum, CA, US vol 1
1973 1973-07-23 Oakland Coliseum, CA, US vol 2
1974 War Child 2002 Remaster
1975 Minstrel In The Gallery
1975 Minstrels in the Red House
1976 Too Old To Rock n' Roll, Too Young To Die
1976 1976-05-16 Hallenstadion, Zurich vol 1
1976 1976-05-16 Hallenstadion, Zurich vol 2
1977 Hippodrome Breath (Live Archive 1977-02-10)
1977 Manchester UK (CD1 Live Archive 1977-02-05)
1977 Manchester UK (CD2 Live Archive 1977-02-05)
1977 Pasadena CA (CD1 Live Archive 1977-01-14)
1977 Pasadena CA (CD2 Live Archive 1977-01-14)
1977 Songs From The Wood
1977 Songs From The Wooden Grammophone (Live Archive)
1978 Heavy Horses 2003 Remaster
1978 Live At Madison Square Garden
1978 1978-05-18 Deutschlandhalle, Berlin cd1
1978 1978-05-18 Deutschlandhalle, Berlin cd2
1978 1978-11-10 Aladdin Theatre, Las Vegas cd1
1978 1978-11-10 Aladdin Theatre, Las Vegas cd2
1978 Bursting Out (Live) Disc 1
1978 Bursting Out (Live) Disc 2
1979 Stormwatch

King Crimson - Vrooom Vrooom (2001)

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A King Crimson finalmente se apresentará no Brasil, 50 anos depois do seu primeiro ensaio. Será no dia 6 de outubro no Rock In Rio. Sim, no Rock In Rio. E sim, eu também achei que era alguma brincadeira. Quando eu era um jovem idiota talvez eu achasse que o fim do mundo chegara. Mas agora que eu sou um dinossauro, penso que talvez a música clássica seja um zumbi por culpa dos

HARD PROG - JANUS - Metropolis (めとろぽりす) - 1978

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Artista/ Banda: Janus
Álbum: Metropolis (めとろぽりす)
Ano: 1978
Gênero: Hard Prog Rock
País: Japão
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Comentário: Janus (não confundam com outras bandas de mesmo nome) foi uma obscuridade máxima vinda do Japão, cujas informações conhecidas estão disponíveis apenas no encarte do seu único LP, lançado de forma independente em 1978, porém todas em japonês. Hoje é um raríssimo exemplar do rock nipônica, ainda sem novo relançamento.
O álbum é dividido em 9 faixas curtas de hard rock simples e direto típico do final da década, liderado pelo trabalho sólido da guitarra, seguida pelo sintetizador e piano, que garantem doses de progressivo e experimentalismo. Os vocais são quase todos femininos, marcantes e com letras em japonês (exceção de 'Dancing Number', música fortemente influenciada por Deep Purple), sendo algumas canções totalmente instrumentais.

Janus (not to be confused with other bands of the same name) was a great obscurity coming from Japan, whose known information is available only in the booklet of their only LP, released privately in 1978, but all in Japanese. Today is a very rare example of Japanese rock, yet without new re-release.
The album is divided into 9 short tracks of straight and simple hard rock typical of the end of the decade, led by the solid work of the guitar, followed by the synthesizer and piano, which guarantee doses of progressive and experimentalism. The vocals are most female, remarkable and with lyrics in Japanese (except for 'Dancing Number', strongly influenced by Deep Purple), being some songs totally instrumental.

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Músicos:
Tomoko Hasegawa (vocal)
Ikuko Sawada (vocal, piano)
Tetsuo Kujiraoka (guitarra)
Chikara Yoshida (baixo)
Tetsuo Kawaguchi (bateria)
Yasushi Kurakake (teclados)

Faixas:
01 陽光
02 砂塵
03 幻想のシルクロード
04 バベルの塔
05 朝日のように
06 Dancing Number
07 問はず語り
08 蹉跌
09 想い出はグラスの中に

Dean Madonia - Shadow To Shadow (Dean Madonia's Frankenstein) 2013

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Dean Madonia - Shadow To Shadow (Dean Madonia's Frankenstein) 2013

Исполнитель: Dean Madonia
Альбом: Shadow To Shadow (Dean Madonia's Frankenstein)
Страна: USA (Nashville)
Жанр: Progressive Rock
Год: September 13, 2013
Формат: MP3 CBR 320 kbps
Размер: 248 МБ
Источник: Google Play
Файлообменник: Яндекс Диск/my-files.ru

Концептуальный альбом (или рок-опера), на основе бессмертного романа Мэри Шелли, "Франкенштейн или современный Прометей".
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